"Paris wasn't just a massacre. It was a megaphone to be used for whatever you yearned to shout." |
Frank Bruni's
article "The Exploitation of Paris" is meant to put things in
perspective, as a criticism of "the automatic, indiscriminate
politicization of tragedy" (24). Bruni denounces news stations' blatant
manipulation of this most recent tragedy to further their own agendas on
virtually unrelated topics. As an experienced writer on a wide range of topics,
he understands how to create a piece that is more than a news report, that
honestly expresses the thoughts of a larger population. His writing skill
ultimately justifies his criticism and shaming of all those guilty of the
"politicization of tragedy."
The article begins,
"Can’t we wait until we’ve resolved the body count? Until the identities
of all of the victims have been determined and their families informed? Until
the sirens stop wailing? Until the blood is dry?" (1). Bruni immediately jumps
on the topic's emotional appeal. He begins bluntly and in a way relentlessly
(through anaphora), even including imagery of the "body count" and
"blood," meant to convince the reader of the gravity of the issue.
He later states,
"I’d like to focus on the pain of Parisians and how that magnificent city
reclaims any sense of order, any semblance of safety. I’d like not to wonder if
Hillary Clinton’s odds of election just ticked upward or downward or if Donald
Trump’s chest-thumping bluster suddenly became more seductive" (23). By
calling Paris "that magnificent city," he gives it the honor he is
demanding others give. "Order" and "safety," two concepts with heavy emotional impact, are
juxtaposed against the "chest-thumping bluster" of a politician to
highlight the plainly ridiculous priorities of the media. He specifically uses
names of American politicians because the article, from the New York Times, is
aimed towards American public figures and news stations.
Bruni understands
that most of his audience will be ordinary citizens, and writes an article that
speaks emotionally to them. He compellingly condemns those guilty of
"politicization of tragedy" and also makes his audience more careful
to not fall into that category. In this way, Bruni's argument is made
effectively and successfully.
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